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Cracking Creativity: The Secrets of Creative Genius
by Michael Michalko
List Price: $19.95
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$12.97
On 7-21-2006
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Book Description
What exactly is creativity? Why do some people seem to have so much of it? Can their secrets be learned? In this trail-blazing book, internationally renowned business creativity expert Michael Michalko answers these questions and more, bringing life-changing techniques into everyone's reach. Michalko has researched and analyzed over 100 of history's greatest thinkers-from Leonardo da Vinci to Charles Darwin, Thomas Edison to Walt Disney-to show readers how creative people think and how to put their secrets to use. It's no wonder that Entrepreneur magazine lauded CRACKING CREATIVITY as "Required reading for anyone in business." Packed with practical exercises and strategies for stimulating creativity, this original book will literally revolutionize the way you think and open up a world of innovative solutions to challenges that you face every day.
About The Author
MICHAEL MICHALKO leads workshops and seminars on fostering creativity, facilitates think tanks, and consults with corporations worldwide. He lives in Churchville, New York.
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Cracking Creativity: The Secrets of Creative Genius Posts
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Originally posted 7:41 AM PDT, July 19, 2006, updated at 1:03 PM PDT, July 19, 2006
I used to walk around the campus of St. Bonaventure University with an artist friend of mine playing a game of perspectives. One of us would fix on some unusual perspective, like the perspective of an ant on a candy bar that fell out of someone's pocket and was about to hit the sidewalk or the perspective of a bird in flight, just going by the campus library or through an alleyway between buildings. And what we would do is we would explain what we were seeing from that point of view to the other person, and based on the description, the other person would have to guess the perspective the describer was generating. This is a fun exercise to open your eyes up to the various ways of looking at the world.
Physicist Richard Feynman would often try to imagine a problem from the perspective of someone or something in the problem. One Feynman anecdote is about him working with a friend in the psychology department. His friend was experimenting with rats running through a maze. She set up a long corridor with doors along one side where the rats came in, and doors along the other side where the food was. She wanted to see if she could train the rats to go in at the third door down from wherever she started them off. The rats went immediately to the door where the food had been the time before.
Obviously there was something about the door that was different from the other doors. So she painted the doors very carefully, arranging the textures on the faces of the doors exactly the same. Still the rats could tell. Then she thought maybe the rats were smelling the food, so she used chemicals to change the smell after each run. Still the rats could tell. Then she realized the rats might be able to tell by seeing the lights and the arrangement in the laboratory like any commonsense person. So she covered the corridor, and still the rats could tell.
While she kept trying different things, Feynman imagined he was a rat and walked around the room passing the office door several times. Each time he noticed a different sound. Then suddenly he had the answer. He suggested that one of the conditions rats relied on to return to a food source was sound. They could tell by the way the floor sounded when they ran over it. To prove it, he covered the corridor in sand and finally was able to fool the rats. He discovered, by imagining he was a mouse, what the rats were really using to find food-not what the experimenter assumed they were using.
Try to imagine yourself as the subject or some part of the subject and try to see the situation from its perspective. Imagine that you are trying to design a new clock. Ask yourself what it would be like to be the minute hand on a clock. Can you imagine yourself to be a unit of time? How would an hour feel? A minute? A second? What would it say to me if our positions were reversed? What would it say to me if it could think and talk the way I can? Identify with an object or process and try to see the problem from the perspective of the object or process. Merge with the problem by asking yourself questions such as:
How would I feel if I were? What would it say to me if it were me? How would I feel if I were the idea I am developing? What recommendation would it make?
Originally posted 5:49 PM PDT, July 8, 2006, updated at 8:36 PM PDT, July 8, 2006
Today I listened to a radio talk show host who mostly screeched hatred toward anyone who disagreed with his philosophy. His ranting was heartrending to me, because Ive longed believed that the real nature of human feeling is mostly the same from person to person, mostly the same in every person everywhere on earth. Of course there is that part of human feeling where we are all different. Each One of us has our own idiosyncrasies and our own unique human character. That is the part people are talking about when they are talking about feelings and comparing feelings. But that part is about ten percent of the feelings we feel. Ninety percent of all our feelings is stuff in which we are all the same and feel the some things. This shared universal human feeling has been forgotten by most people, hidden in the mess of opinion, conflicts, arguments, and personal differences voiced by governments, religions, politicians, academics, celebrities, radio talk shows, self-appointed gurus and, of course, the omnipresent and omnipotent mass media. These voices of disharmony and disunity have disconnected us from each other and have rusted our hearts. We need to ignore these voices of discord and reawaken each other to honor and respect this huge oceanthis ninety percentin which our feelings are all alike. Maybe, if we do that, we will have "peace on earth."
Originally posted 6:04 AM PDT, July 7, 2006, updated at 1:41 PM PDT, July 8, 2006
Please be advised that there is a new edition of my brainstorming cards THINKPAK The old edition is still being sold by Amazon, so if you want the latest edition be careful and make sure you order the ORANGE pack and not the WHITE pack. The new edition has REVISED on the cover. It's confusing to have both old and new editions being sold, so be careful. If you make a mistake and order the wrong one, let me know and I'll help make it right. It's without purpose when your products are competing against each other. It's reminds me of a box with a on/off switch on the side. When you switch it to the on position, a hand comes out of the box and switchs it back off.
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Inside This Book
(learn more)
First Sentence:
How do geniuses come up with ideas? Read the first page
Statistically Improbable Phrases (SIPs):
(learn more)
imaginary excursion, major cause categories, structured imagination, dissimilar subjects, same old ideas, list your ideas, forcing connections, idea quota, random stimuli, creative geniuses, random words, blind variation
Capitalized Phrases (CAPs):
(learn more)
Leonardo da Vinci, Thomas Edison, Walt Disney, Richard Feynman, New York, Alexander Graham Bell, Niels Bohr, Alexander Fleming, Nikola Tesla, Sigmund Freud, David Bohm, Martha Graham, Nobel Prize, Albert Rothenberg, Awakening the Collaborative Spirit, Federal Express, John Gould, Los Angeles, Louis Pasteur, Smithsonian Institute, Thinking Fluently, William James
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover | Surprise Me!
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Additional Pages: 1 2 3
© Adapt, Inc. 1998-2006
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