Books:
Text Books:
Journalism
The Elements of Journalism: What Newspeople Should Know and The Public Should Expect
by Bill Kovach and Tom Rosenstiel
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Product Review
These are tough times for journalism. Newsroom executives' bonuses tend to be based on their company's profit margin. Journalists are constantly jockeying for the time and space necessary to tell their stories as they see fit. Only 47 percent of Americans even read a newspaper. And Time and Newsweek--news magazines, remember?--"were seven times more likely to have the same cover story as People magazine in 1997 than in 1977." It's no wonder that in 1997, the Committee of Concerned Journalists formed to "engage journalists and the public in a careful examination of what journalism was supposed to be." The Elements of Journalism reports the results of that study, which included 21 public forums (attended by 3,000 people), in-depth interviews with 100 journalists, editorial content studies, and research into the history of journalism. Part of what the committee members learned, they already knew. Journalism is complicated business: journalists are paid by management but work for the citizens; they tend to be self-taught (there is little evidence of mentoring and much disdain for journalism schools); and they need to be objective even when they're not impartial. This has always been the case. But the committee also detected a trend, one abundantly evident to anyone who has tried to find news on the evening TV news: "news was becoming entertainment and entertainment news." "Unless we can grasp and reclaim the theory of a free press," warn Bill Kovach and Tom Rosenstiel, the book's authors, "journalists risk allowing their profession to disappear." Through their discussions with journalists, the Committee of Concerned Journalists defined nine "clear principles" of journalism, which Kovach and Rosenstiel explore in great detail. The first principle is, "Journalism's first obligation is to the truth." The last: "Its practitioners must be allowed to exercise their personal conscience." In between come issues of loyalty, verification, independence, and power monitoring, among others. Invigorating reading for newsroom interns, jaded reporters, and anyone else who needs to be reminded of the rigorousness, integrity, and meaning of journalism. --Jane Steinberg
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
In 1997, 25 men and women formed the Committee of Concerned Journalists and began a three-year investigation into what they believe is a crisis in journalism today. If, as they set forth, "the purpose of journalism is to provide people with the information they need to be free and self-governing," the committee believes that journalism has lost its credibility in the interest of the bottom line. One of the main reasons for this new emphasis on the bottom line, claim committee chair Kovach and fellow member Rosenstiel (coauthors of Warp Speed: America in the Age of Mixed Media), is that "technology is shaping a new economic organization of information companies [e.g., Time Warner is now part of AOL, Disney owns ABC News], which is subsuming journalism inside it." In this incisive, controversial and well-presented work, the authors have synthesized the committee's findings to lay down nine principles of sound journalism for both those in the industry and the citizens who rely on the free press as a fundamental element of democracy. First and foremost among these principles is journalism's "obligation to the truth." At first glance, this principle may appear self-evident, but as Kovach and Rosenstiel explain, what constitutes the truth is sticky and often misunderstood. For example, the truth may be neither fair nor balanced, nor should it necessarily be, they say. Kovach and Rosenstiel have issued a clarion call to their colleagues, and they hope that all journalists, editors and owners of news organizations will incorporate the principles of the profession as they've outlined them into their everyday work. However, the authors offer no specific suggestions as to how to enact these principles in a wide-reaching or systematic manner. Copyright 2001 Cahners business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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Writing and Developing Your College Textbook
by Mary Ellen Lepionka
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Gail Fenske, School of Architecture, art and Historic Preservation, Roger Williams University
One of the most useful books I've ever read about writing.
Fran Mascia-Lees, Ph.D. Editor-in-Chief, American Anthropologist, Sarah Lawrence College, August 5, 2003
"Her insights into textbook development are insightful and extremely savvy. I can't imagine a textbook writer moving ahead without it."
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Scholastic Journalism
by Tom E. Rolnicki, C. Dow Tate, and Sherri Taylor
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$34.99
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Peeps (Bccb Blue Ribbon Fiction Books (Awards))
by Scott Westerfeld
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From School Library Journal
Starred Review. Grade 9 Up–Vampire stories are a staple of the publishing industry. They are usually romantic and sexy, steeped in a dreamy magic. Peeps is none of those–well, maybe a little sexy. Nineteen-year-old Cal, a Texas transplant, lost his virginity–and a lot more–when he first arrived in New York City. He became a parasite-positive, or peep–he prefers not to use the v-word. Now he works for the Night Watch, a secret branch of city government dedicated to tracking others of his kind. Unlike the rare natural carriers like Cal, who has acquired night vision, superhuman strength, and a craving for lots of protein, most peeps are insane cannibals lurking in darkness. But now the teen has found the young woman who infected him–and learns that something worse than peeps is threatening the city, and he is on the front lines. Cal's voice is genuine–he's a little geeky, as evidenced by the intermittent discussions on parasites, and he laces a dry humor through this immensely reasonable biological vampire story. The evocation of NYC is exactly right, so that even the most fantastic elements of the plot feel believable. Much of the story is concerned with Cal's detective work and growing relationship with Lace, his Major Revelation Incident (he tells her his secret); toward the end, the action picks up in a race to reveal the horrors to come. This innovative and original vampire story, full of engaging characters and just enough horror without any gore, will appeal to a wide audience.–Karyn N. Silverman, Elizabeth Irwin High School, New York City Copyright © Reed business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Gr. 9-12. In Westerfeld's latest smart, urbane fantasy, parasite positives, or "peeps," are maniacal cannibals that cause illness. College freshman Cal was lucky: he contracted the sexually transmitted disease during a one-night stand, but it never developed into its full-blown form. Now he works for an underground bureau in Manhattan that tracks down peeps. Apart from the cravings for rare meat and enforced celibacy (turning lovers into monsters is "not an uplifting thing"), life is okay--until a hip, cute journalism student intensifies Cal's yearnings for companionship. Complicating matters are indications that peeps have an urgent evolutionary purpose. Breezy essays on parasitology feel a bit intrusive, and the plot ultimately spirals into B-movie absurdity. But a great many YAs, particularly those who relished M. T. Anderson's Thirsty and Annette Curtis Klause' Blood and Chocolate (both 1997)will marvel at Westerfeld's plausible integration of science and legend. Westerfeld's concluding, passionate defense of evolutionary theory will raise some hackles, but the fact that the whole thing is premised on an STD probably preselects an audience that won't take offense. Jennifer Mattson Copyright © American Library Association. All rights reserved
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Literary Journalism
by Norman Sims and Mark Kramer
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Book Description
Some of the best and most original prose in America today is being written by literary journalists. Memoirs and personal essays, profiles, science and nature reportage, travel writing -- literary journalists are working in all of these forms with artful styles and fresh approaches. In Literary Journalism, editors Norman Sims and Mark Kramer have collected the finest examples of literary journalism from both the masters of the genre who have been working for decades and the new voices freshly arrived on the national scene.
The fifteen essays gathered here include: -- John McPhee's account of the battle between army engineers and the lower Mississippi River -- Susan Orlean's brilliant portrait of the private, imaginative world of a ten-year-old boy -- Tracy Kidder's moving description of life in a nursing home -- Ted Conover's wild journey in an African truck convoy while investigating the spread of AIDS -- Richard Preston's bright piece about two shy Russian mathematicians who live in Manhattan and search for order in a random universe -- Joseph Mitchell's classic essay on the rivermen of Edgewater, New Jersey -- And nine more fascinating pieces of the nation's best new writing
In the last decade this unique form of writing has grown exuberantly -- and now, in Literary Journalism, we celebrate fifteen of our most dazzling writers as they work with great vitality and astonishing variety.
Inside Flap Copy
Some of the best and most original prose in America today is being written by literary journalists. Memoirs and personal essays, profiles, science and nature reportage, travel writing -- literary journalists are working in all of these forms with artful styles and fresh approaches. In Literary Journalism, editors Norman Sims and Mark Kramer have collected the finest examples of literary journalism from both the masters of the genre who have been working for decades and the new voices freshly arrived on the national scene.
The fifteen essays gathered here include: -- John McPhee's account of the battle between army engineers and the lower Mississippi River -- Susan Orlean's brilliant portrait of the private, imaginative world of a ten-year-old boy -- Tracy Kidder's moving description of life in a nursing home -- Ted Conover's wild journey in an African truck convoy while investigating the spread of AIDS -- Richard Preston's bright piece about two shy Russian mathematicians who live in Manhattan and search for order in a random universe -- Joseph Mitchell's classic essay on the rivermen of Edgewater, New Jersey -- And nine more fascinating pieces of the nation's best new writing
In the last decade this unique form of writing has grown exuberantly -- and now, in Literary Journalism, we celebrate fifteen of our most dazzling writers as they work with great vitality and astonishing variety.
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Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong
by James W. Loewen
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From Publishers Weekly
Sociology professor Loewen lambastes history textbooks as both too inaccurate and too bland to engage students. Copyright 1996 Reed business Information, Inc.
From Booklist
When textbook gaffes make news, as with the tome that explained that the Korean War ended when Truman dropped the atom bomb, the expeditious remedy would be to fire the editor. Loewen would rather hire a new team of authors bent on the pursuit of context instead of factoids. In Loewen's ideal text, events and people illuminating the multicultural holy trinity of race, gender, and social class would predominate over the fixation on heroes and acts of government. Such is the mood adopted throughout this critique of 12 American history texts in current use. Vetting 10 topics they commonly address--from the Pilgrims to the Vietnam War--Loewen bewails a long train of alleged omissions and distortions. To account for the deplorable situation, he offers this quasi-Marxist explanation: "Perhaps we are all dupes, manipulated by elite white male capitalists who orchestrate how history is written as part of their scheme to perpetuate their own power and privilege at the expense of the rest of us." Certainly students' appalling ignorance of history is troublesome, and broken families and excessive TV viewing are at least the equals of white male conspirators as the cause. However, libraries located where dissatisfaction with textbooks exists should be interested in Loewen's critique. Gilbert Taylor
--This text refers to the
Hardcover
edition.
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Kids in Print: Publishing a School Newspaper, Second Edition
by Mark Levin
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$14.99
On 7-21-2006
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Book Description
Have you been looking for a handbook that contains everything you need to know to start a student newspaper in your school? Are you a newspaper advisor in need of some teacher-tested tips? Whether your school newspaper is a dream or a reality, "Kids in Print" is a book you should have at your fingertips. Hints on organizing, teaching journalism skills, layout, and publication-plus a variety of student reproducibles and a handy glossary to help motivate real-life writing experiences are all included in this informative resource by the creator of NESPA, the National Elementary Schools Press Association. Let Mind-Stretch help you get your "Kids in Print." For grades 3-9.
About The Author
Mark Levin, a Certified Journalism Educator, has taught middle school, upper elementary school, and served as a K-8 specialist. After several years of publishing a newspaper with students, Mark Levin created the National Elementary Schools Press Association (NESPA), a national clearinghouse for all elementary and middle schools wishing to start or refine school newspapers. Mark received the Pioneer Award in 2001 from the National Scholastic Press Association for his outstanding contributions to scholastic journalism.
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Journalism: A Very Short Introduction (Very Short Introductions)
by Ian Hargreaves
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$9.95
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Book Description
In Journalism, Ian Hargreaves uses his unique position within the media to examine how we get this information and the many practical, political, and professional decisions that the journalist has to make, as part of the process of delivering that information to us. Hargreaves argues that the core principles of "Freedom of the Press" and the necessity of exposing the truth are as vital today as they ever were. He examines the ethical responsibility of the journalist to respond to the demands of civil society, as opposed to the demands of the state, and focuses on contentious issues in contemporary journalism, such as intrusion, lack of accountability, obscenity, trivialization, rumor-mongering, and libel. This is a concise and up-to-date analysis of the most important issues, developments, and debates surrounding journalism today.
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© Adapt, Inc. 1998-2006
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