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Dealmaking in the Film and Television Industry From Negotiations Through Final Contracts: 2nd Edition Expanded and Updated

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Click here to buy Dealmaking in the Film and Television Industry From Negotiations Through Final Contracts: 2nd Edition Expanded and Updated by Mark Litwak.  

Dealmaking in the Film and Television Industry From Negotiations Through Final Contracts: 2nd Edition Expanded and Updated

by Mark Litwak
4.0 out of 5 stars

  • Paperback: 396 pages
  • Publisher: Silman-James Press; 2nd Exp&Up edition October 1, 2002
  • Language: English
  • ISBN: 1879505665
  • Product Dimensions: 9.9 x 7.1 x 0.9 inches
  • Shipping Weight: 1.57 pounds

    4 of 6 people found the following review helpful: Useful Book, November 27, 2004 Reviewer:Michael Ambroziak (Denver, CO USA) -    This book is a handy reference for business and legal users. The text strikes a good balance between being useful as an informational reference and being overly encyclopedic. The forms reflect many good contracting practices. www.ambroziaklaw.com.

    Book Description
    Dealmaking is the first self-defense book for everyone working in the film and television industry, Addressing a general, non-attorney readership, it is a fascinating, highly accessible and practical guide to current entertainment laws peculiarities and "creative" practices. Armed with this book, filmmakers can save themselves thousands of dollars in legal fees as they navigate the entertainment business's shark-infested waters. Whether you are a professional or wannabe producer, writer, director, or actor, Litwak can help you make the most of your business dealings while steering you clear of contractual traps.

    The second edition of this popular book contains hundreds of updates and revisions of the first edition and includes two new chapters: legal Remedies and Retaining Attorneys, Agents, and Managers.

    About The Author
    Mark Litwak is a veteran entertainment attorney known for aggressively representing independent filmmakers and writers. As a professor of entertainment and copyright law, he has taught at UCLA, Loyola Law School, and the University of West Los Angeles and presented lectured for the American Bar Association, the American Film Institute, Columbia University, NYU, USC, the New School for Social Research, the Toronto Film Festival, San Francisco State University, and the Royal College of art in London. In addition to Dealmaking, he is the author of the books Contracts for the Film and Entertainment Industry, Reel Power, and Courtroom Crusaders."

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