Set in rural New Hampshire, Halfway House tells the story of the Voorster family, whose lives are upended when 17-year-old Angie suffers a breakdown and is eventually diagnosed with bipolar disorder. As Angie shuffles between hospitals, dorm rooms, halfway houses, and her childhood home, the side effects of her disease and treatment impact each member of her family. Her father Pieter, a Dutch-born cellist, retreats into himself, while her mother Jordana begins an affair. Angie's brother Luke finds comfort in his girlfriends, especially Wendy, whom he meets while at college in Wisconsin. Eventually, familial relationships must be broken in order to be reinvented. In the process, family dynamics must shift, and each character must confront their own demons in order to emerge on the other side.

From One Flew Over the Cuckoo's Nest to Girl, Interrupted, the subject of mental illness is hardly uncharted in modern literature. What Noel does is go beyond the disease to explore the consequences of crisis, both punishing and redemptive, without compromise or excuses. That is what makes Halfway House a wonder, and a pleasure to behold. --Gisele Toueg

From Publishers Weekly
A New Hampshire family comes apart at the seams when Angie Voorster, an ostensibly perfect high school senior and swim team star falls off the edge of mental stability. Among those affected are Pieter, Angie's emotionally inarticulate father; her mother, Jordana, 15 years Pieter's junior and seeking solace in the arms of a younger man; and Angie's younger brother, Luke, who becomes his sister's keeper. Debut novelist Noel brings these characters to life, exposing every blemish and desire, and revealing them in all their messy humanness. Over the next several years, bipolar Angie struggles to adjust to life derailed by mental illness, ever-changing prescriptions and their side effects: "She couldn't even lay claim to her own thoughts. Was she the thoughts she had on meds, when her brain was as it should be? Or was she the thoughts she had off meds, her brain as it really was?" Noel unflinchingly constructs scenes with a cinematographer's eye and injects humor into a world of chronic insomnia and suicide attempts. She resists sensationalizing or romanticizing mental illness, and with sympathetic knowledge of the subject (she worked at a mental health home), her keen insights are spot-on. (Mar.)
Copyright © Reed business Information, a division of Reed Elsevier Inc. All rights reserved.