The victimization of George takes the form of nasty letters, the theft of a school key, and finally, the accusation that he has mutilated animals. Meanwhile, Arthur is becoming more and more famous for creating Sherlock Holmes, whom he tries to kill off once and is forced to resurrect because of his fans' outcry. He marries, fathers two children and then, when his wife is invalided by consumption, falls madly in love for the first time with Jean Leckie.

The novel's style is smoothly revelatory. We slowly come to realize that George is half-Indian, that Arthur is the famous Doyle, that the woman he loves, chastely, is not his wife and, sadly, that George will not prevail over the forces ranged against him.

When George, desperate to resume his law career after imprisonment, sends Arthur the sad chronicle of his history, Arthur sees immediately that he could not be guilty and sets out to clear his name. This case of George's lifts Arthur from the slough of despond into which he has sunk after his wife, Touie, dies. He is guilt-ridden, constantly wondering if he was attentive enough, if she could possibly have known about Jean. Realizing the immense injustice George has suffered, he is shaken out of lethargy and, in Holmesian fashion, sets out to solve the case.

Julian Barnes is a gifted writer of enormous accomplishment. This novel is thoroughly engrossing, filled with Barnes's trademark themes of identity and love, longing and loss, and ultimately, an examination of man's inhumanity to man. --Valerie Ryan

From Publishers Weekly
Starred Review. Arthur is Sir Arthur Conan Doyle, physician, sportsman, gentleman par excellence and the inventor of Sherlock Holmes; George is George Edalji, also a real, if less well-known person, whose path crossed not quite fatefully with the famous author's. Edalji was the son of a Parsi father (who was a Shropshire vicar), and a Scots mother. In 1903, George, a solicitor, was accused of writing obscene, threatening letters to his own family and of mutilating cattle in his farm community. He was convicted of criminal behavior in a blatant miscarriage of justice based on racial prejudice. Eventually, Sir Arthur ("Irish by ancestry, Scottish by birth") heard about George's case and began to advocate on his behalf. In this combination psychological novel, detective story and literary thriller, Barnes elegantly dissects early 20th-century English society as he spins this true-life story with subtle and restrained irony. Every line delivered by the many characters—the two principals, their school chums (Barnes sketches their early lives), their families and many incidentals—rings with import. His dramatization of George's trial, in particular, grinds with telling minutiae, and his portrait of Arthur is remarkably rich, even when tackling Doyle's spiritualist side. Shortlisted for the Booker, this novel about love, guilt, identity and honor is a triumph of storytelling, taking the form Barnes perfected in Flaubert's Parrot (1985) and stretching it yet again.
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Exotic Betting instead argues that how to bet is as important as who you like, especially in the 21st-century world of horse racing, where a new menu of wagers such as the superfecta and pick four have overtaken the familiar win, place, and show betting of yesteryear.

Both serious and casual horseplayers will benefit from understanding the strategy and mechanics of making these complex wagers, a topic generally ignored in the literature of handicapping but now more important than ever. Crist explores each of racing’s so-called exotic wagers, including exactas, trifectas, superfectas, doubles, pick threes, pick fours, and pick sixes. Drawing on his personal experiences as a bettor and as a racing journalist and executive, Crist outlines both the common mistakes made by the betting public and some alternative approaches that can lead to more profitable returns and to greater enjoyment of an endlessly intricate and fascinating game.

Crist, known as the King of the Pick Six for his exploits in that jackpot wager, also explores a wide range of practical issues, including the advantages and pitfalls of betting on the sport’s biggest events, such as the Triple Crown and Breeders’ Cup, and the unfairly onerous requirements imposed on exotic bettors by the Internal Revenue Service.

Whether you’re a two-dollar bettor considering his first exacta or a high roller regularly chasing seven-figure jackpots, Exotic Betting will forever change the way you look at and wager on horse racing.

Steven Crist has been playing the races and writing about them since a chance trip to Wonderland Greyhound Park in 1976 put a quick end to studying 18th-century English literature. He was the horse-racing columnist for The New York Times from 1981 through 1990; founding editor-in-chief of The Racing Times in 1991-92; a New York racetrack executive from 1994 to 1997; and in 1998 assembled an investment group that purchased Daily Racing Form, where he served as the chief executive until 2002 and remains as the chairman and publisher. Crist is the author of the books Offtrack, The Horse Traders, and Betting on Myself.

The Phantom's lead mare is injured, and Samantha wants to help her. But she can't call the vet -- what if he won't let the mare return to the wild?

So Sam starts treating the mare's injuries in secret. But the horse seems awfully calm for a mustang, and she matches the description of a missing mare from California. Is Sam helping a mustang, or has she accidentally stolen someone's horse?

Terri Farley has always loved horses. She left Los Angeles for the cowgirl state of Nevada after earning degrees in English and Journalism. Now she rides the range researching books and magazine articles on the West's people and animals -- especially Nevada's controversial wild horses. She lives in a one-hundred-year-old house with her husband, children, and way too many pets.