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Wicked: The Life and Times of the Wicked Witch of the West
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Wicked: The Life and Times of the Wicked Witch of the Westby Gregory Maguire
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456 of 488 people found the following review helpful: Raises disturbing questions about nature of evil, November 26, 1999 Reviewer:Growllingbear (Half Moon Bay, CA USA) - If you can find a better bang for the buck than Wicked, please let me know. I picked up Wicked, knowing nothing except that its subject matter was the Wicked Witch of the West, to be drawn immediately into Maguire's splendidly imagined world of sentient animals, multiple societies, and unique physical laws. Wicked is an enthralling, great read, hugely entertaining. On top of all this, Maguire has Bradbury's gift for creating atmosphere. The pages are heavy with dark, mysterious magic; its moral laws are ultimately incomprehensible. Apparently doomed at conception, Elphaba is a truly terrifying infant. Razor-toothed and preternaturally intelligent, she is shunned from birth as a freak and a curse. She is nonetheless the tale's most complex, human, and compelling character, possessed of high moral sense and great courage. But neither of these qualities enables a single one of her brave, ethical actions to succeed. What are we to conclude from this? How is it that Dorothy, the sturdy little nobody from nowhere who committed manslaughter as she landed in Oz, skips down the Yellow Brick Road impervious to danger while Elphaba strives and plots to reap only negative results? Why is one protected while the other is doomed? Read Wicked and you will learn how the witch's monkeys became winged, where the rubies for those slippers came from, and, indeed, why the witch's skin was green. But you will wrestle, long afterward, with Maguire's moral pessimism and the snarl of grace and doom that underlies this novel. I know I will.
From Publishers Weekly
With a husky voice and a gentle, dramatic manner that will call to mind the image of a patient grandfather reading to an excited gaggle of children, McDonough leisurely narrates this fantastical tale of good and evil, of choice and responsibility. In Maguire's Oz, Elphaba, better known as the Wicked Witch of the West, is not wicked; nor is she a formally schooled witch. Instead, she's an insecure, unfortunately green Munchkinlander who's willing to take radical steps to unseat the tyrannical Wizard of Oz. Using an appropriately brusque voice for the always blunt Elphaba, McDonough relates her tumultuous childhood (spent with an alcoholic mother and a minister father) and eye-opening school years (when she befriends her roommate, Glinda). McDonough's pacing remains frustratingly slow even after the plot picks up, and Elphaba's protracted ruminations on the nature of evil will have some listeners longing for an abridgement. Still, McDonough's excellent portrayals of Elphaba's outspoken, gravel-voiced nanny, Glinda's snobbish friends and the wide-eyed, soft-spoken Dorothy make this excursion to Oz worthwhile.
Copyright © Reed business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio Cassette edition.
From School Library Journal
YA?Elphaba, the future Wicked Witch of the West, has gotten a bum rap. Her mother is embarrassed and repulsed by her bright-green baby with shark's teeth and an aversion to water. At college, the coed experiences disapproval and rejection by her roommate, Glinda, a silly girl interested only in clothes, money, and popularity. Elphaba is a serious and inquisitive student. When she learns that the Wizard of Oz is politically corrupt and causing economic ruin, Elphaba finds a sense of purpose to her life?to stop him and to restore harmony and prosperity to the land. A Tin Man, Cowardly Lion, Scarecrow, and an unknown species called a "Dorothy" appear in very small roles The story presents Elphaba in a sympathetic and empathetic manner-readers will want her to triumph! The conclusion, however, is the same as L. Frank Baum's. The book has both idealism and cynicism in its discussion of social, religious, educational, and political issues present in Oz, and, more pointedly, present in our day and time. The idealism is whimsical and engaging; the cynicism is biting. Sometimes the earthy language seems appropriate and adds to the sense of place; sometimes the four-letter words and sexual explicitness distract from the charm of the tale. The multiple threads to the plot proceed unevenly, so that the pace of the story jumps rather than moves steadily forward. Wicked is not an easy rereading of The Wizard of Oz. It is for good readers who like satire, and love exceedingly imaginative and clever fantasy.?Judy Sokoll, Fairfax County Public Library, VA
Copyright 1996 Reed business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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